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Bramble Baby Blanket designed and photographed © Rachael Tindale.
Bramble Baby Blanket by Rachael Tindale is a beautifully textured baby blanket that turns a simple repeating stitch pattern into soft clusters of raised texture.
The blanket uses Aran-weight yarn and a memorable bramble stitch pattern, making it an appealing project for knitters who want something more interesting than plain garter or stockinette without moving into complicated cables or lace.
Even better, the original Bramble Baby Blanket is still available as a free knitting pattern directly from Rachael Tindale through her Ravelry store.
The star of this blanket is its rich all-over texture.
Bramble stitch, sometimes associated with berry-like or cluster textures, creates small raised sections across the knitted fabric. These textured areas catch the light differently from smooth stockinette, giving the blanket depth even when it is worked in just one color.
The result looks decorative without requiring complicated colorwork.
One reason this pattern is so attractive for everyday knitting is its short four-row main stitch repeat.
Short repeats are useful in larger projects such as blankets because they become easier to recognize after you have worked them several times.
Instead of constantly checking a long sequence of different rows, you can begin to recognize the rhythm of the textured fabric as it develops.
Bramble stitch is a dimensional knitting texture built by combining increases and decreases in a repeating arrangement.
These changes in stitch structure produce the characteristic clustered or berry-like surface.
Although the finished fabric can look intricate, the designer describes the stitch as easy to learn.
This makes the blanket an interesting next step for a knitter who is comfortable with basic knitting and purling and wants to explore a more decorative texture.
Bramble Baby Blanket works beautifully in a solid color because the stitch pattern provides plenty of visual interest on its own.
Without stripes or complex color changes competing for attention, the raised texture becomes the focal point of the blanket.
Light and medium shades are particularly effective when you want the shadows between the textured stitches to remain easy to see.
Rachael Tindale designed the blanket using Caron Simply Soft.
The yarn is an easy-care acrylic yarn commonly used for blankets, garments and accessories.
The original pattern uses approximately 600–630 yards (549–576 meters).
Yes. You do not necessarily need the exact original yarn to knit the blanket.
Look for an Aran-weight yarn that produces a comfortable fabric and gives good stitch definition.
Because the bramble texture is the main decorative feature, a very fuzzy yarn may hide some of the detail. A smoother yarn generally makes the raised pattern easier to see.
When choosing yarn for a baby blanket, think beyond color.
Useful qualities include:
Always check the yarn manufacturer's care instructions before beginning so the finished blanket will be practical for the recipient.
The published pattern calls for approximately 600–630 yards of Aran-weight yarn.
The original project uses two balls of Caron Simply Soft.
If you substitute another yarn, check the yardage on the label rather than simply buying the same number of balls. Skein and ball sizes vary considerably between yarn brands.
The pattern specifies US 5 / 3.75 mm knitting needles.
The designer lists straight needles in the original materials, although some knitters prefer using a circular needle for blankets even when the project is worked back and forth.
A circular needle can hold a large number of stitches while allowing the growing weight of the blanket to rest more comfortably in your lap.
Changing the type of needle does not mean you need to knit the blanket in the round; you can still turn the work at the end of each row.
The designer gives a gauge of approximately 10 stitches = 2 inches.
Gauge affects the dimensions of the finished blanket and the amount of yarn you use.
If your stitches are much larger than the designer's, your blanket may become wider and require more yarn. If your knitting is considerably tighter, the blanket may turn out smaller and denser.
A small practice swatch is particularly worthwhile if you have never knitted bramble stitch before.
Use the swatch to become comfortable with the texture before managing an entire blanket-width row.
It will also show you how clearly your chosen yarn displays the raised pattern and whether you like the resulting fabric.
Bramble Baby Blanket is worked flat.
You knit back and forth in rows rather than working continuously in the round.
This familiar construction makes the project accessible to knitters who have not yet learned circular knitting techniques.
The designer describes the bramble stitch as easy to learn, but the project is more interesting than a blanket made entirely from basic knit stitches.
It is a good choice for an adventurous beginner or confident beginner who wants to practice maintaining a repeating texture across a larger project.
If you are completely new to knitting, practice the stitch pattern on a small swatch before casting on the full blanket.
Useful skills for this project include:
A short repeat becomes easier with practice, but it is still worth tracking your rows carefully.
Use a row counter, notebook, phone counter or simple four-row checklist.
Marking each completed row can prevent you from accidentally repeating or skipping part of the texture after putting the project down.
Bramble-style textures involve changes in stitch structure, so an unnoticed mistake can affect the alignment of later repeats.
Count your stitches periodically rather than waiting until the texture visibly shifts.
Catching an extra or missing stitch early can save a great deal of unknitting later.
As the blanket grows, spend some time looking at how each completed bramble section appears.
Once you recognize the structure of a correct repeat, the knitted fabric itself becomes an additional way to check your progress.
If one section suddenly looks different from the others, stop and check your work before continuing.
Dimensional stitch patterns need enough room to form properly.
Try to maintain relaxed, consistent tension when working the increases and decreases that create the bramble effect.
Pulling certain stitches much tighter than others can make the texture look uneven.
Lay the knitting out occasionally and look across the entire width.
The texture should develop consistently from one section to another.
This simple habit is especially useful on a blanket because a small mistake can otherwise remain unnoticed for many long rows.
A single-color textured blanket has a timeless look that works for many different nurseries and color schemes.
The bramble surface makes the project visually distinctive while the simple rectangular shape keeps construction straightforward.
Choose a washable yarn and the finished blanket can be both decorative and practical.
You do not have to use traditional pastel baby shades.
Cream, oatmeal, soft gray, sage, dusty blue and muted rose can all show off textured stitches beautifully.
A stronger color such as teal, mustard or deep blue can create a more contemporary look while preserving the classic texture.
Gentle blocking can help the blanket settle into an even rectangular shape and improve the appearance of the stitches.
Do not aggressively flatten the fabric because the raised bramble texture is one of the defining features of the design.
Follow the care instructions for your chosen yarn when washing and blocking the finished blanket.
Bramble Baby Blanket combines several qualities that make a satisfying knitting project: a short repeat, interesting texture, straightforward flat construction and a manageable amount of yarn.
It can help a newer knitter move beyond plain knitting while remaining repetitive enough for comfortable blanket knitting once the stitch rhythm becomes familiar.
And because the original designer still provides the pattern for free, knitters can continue to access the exact pattern featured here rather than relying on unofficial copies.
Bramble Baby Blanket by Rachael Tindale is currently available as a free knitting pattern.
The original pattern is provided through Rachael Tindale's Ravelry Store as a free Ravelry download.
This is the exact pattern featured on this Amazing Knitting page: the Aran-weight textured baby blanket published by Rachael Tindale in 2018.
Pattern availability can change over time, so Amazing Knitting checks older pattern links and gives priority to a legitimate free source whenever the exact design remains officially available at no cost.
Visit Rachael Tindale's pattern page for the complete original knitting instructions and free download.
Get the Free Bramble Baby Blanket Pattern →
Bramble Baby Blanket is designed by Rachael Tindale. Amazing Knitting does not reproduce the designer's copyrighted row-by-row instructions. The original pattern is currently offered as a free download by the designer. Availability may change, so please check the linked source for the latest information.
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| The photo above © Fiona64 |
Stole Dunes. Design © Svetlana Gordon.
Stole Dunes by Svetlana Gordon is a dramatic rectangular knitted stole with flowing sections that resemble layers of wind-shaped sand dunes.
Rather than relying on a conventional repeating lace motif, the design uses unusual shaping and changes in knitting direction to create its distinctive sculptural waves.
The result is a lightweight statement wrap that looks complex but is built as one continuous, seamless piece.
Important availability note: Stole Dunes is currently a paid pattern. Older references describing it as free should therefore be considered outdated.
The first thing you notice about Stole Dunes is the movement in the fabric.
Long curved sections appear to flow across the stole rather than simply running vertically or horizontally from one edge to another.
These sweeping lines give the finished wrap the appearance of layered sand dunes shaped by the wind.
This construction is what makes Stole Dunes immediately recognizable among rectangular knitted wraps.
Stole Dunes is not constructed like a basic rectangular scarf where you cast on one short edge and simply knit straight to the other end.
The designer uses repeated changes in direction to build the flowing sections of the fabric.
Svetlana specifically notes that the project contains many work turns.
Understanding how those sections connect is therefore more important than approaching the project as an ordinary row-by-row scarf.
Despite its elaborate appearance, the stole is designed to be knitted seamlessly and without breaking the yarn.
That is one of the most interesting features of the design.
Instead of making numerous individual motifs and sewing them together, the knitter creates the changing directions as part of one continuous construction.
Svetlana describes the project as something that may initially appear complicated.
However, once the underlying knitting principle becomes clear, the process becomes considerably easier to understand.
This makes Stole Dunes a good example of a pattern where understanding the construction can be more important than memorizing individual stitches.
The defining feature of the stole is its repeated flowing sections.
Each section changes the visual direction of the fabric, creating the impression that one knitted wave overlaps or continues into another.
When several sections are combined, the eye follows the movement across the entire rectangular stole.
The original sample uses Schachenmayr Tahiti, a lightweight yarn with gradual color changes.
A gradient works particularly well with Stole Dunes because the changing color helps reveal the unusual direction of the knitted sections.
Instead of producing ordinary horizontal stripes, the color transitions follow the architecture of the fabric and emphasize its flowing shape.
The original pattern information references Schachenmayr Tahiti. Svetlana later noted that availability and naming of this yarn changed in some markets, with Fashion Tahiti appearing as the relevant later product name.
This means knitters should not worry if the exact older yarn listed in photographs is difficult to locate.
The more important goal is choosing a yarn that produces the kind of lightweight fabric and color effect you want.
The pattern is listed with approximately 2111–2133 yards (1930–1950 meters) of lace-weight yarn.
That may sound like a large amount, but remember that lace yarn contains substantial yardage for its weight and the original stole is a generous wrap measuring around 220 cm long.
Always check the current designer pattern before purchasing yarn, especially if you plan to change the dimensions.
Yes. The designer specifically notes that heavier or lighter yarn can be used.
However, changing yarn weight will also change the amount of yarn required and the dimensions of the finished stole.
A heavier yarn can produce a more substantial wrap, while a finer yarn can create an even lighter and more delicate fabric.
When substituting yarn, consider more than just the weight printed on the label.
Look at:
Because the unusual construction is the main feature of Stole Dunes, the yarn should allow that structure to remain visible.
All three can produce interesting results, but each emphasizes something different.
A solid yarn puts the focus almost entirely on the construction and texture.
A tonal yarn introduces subtle variation without overwhelming the knitted structure.
A long gradient can emphasize the changes in knitting direction and create dramatic flowing bands of color.
The published pattern lists US 2½ / 3.0 mm and US 1½ / 2.5 mm needles.
Needle size should always be considered together with your yarn, tension and desired fabric.
If substituting a different yarn weight, you may also need to change needle size.
The listed gauge is approximately 28 stitches and 32 rows = 4 inches / 10 cm.
Svetlana notes that gauge is somewhat conditional in this project because the knitting moves in different directions.
This is another reason to think about the overall fabric rather than treating the project exactly like a fitted sweater where a small gauge difference can dramatically change fit.
The original finished dimensions are approximately:
This creates a generously sized rectangular stole that can be wrapped, draped or worn over the shoulders.
The designer also indicates that the length can be adjusted.
This is probably not the best choice for someone's very first knitting project.
The individual techniques may be familiar to an experienced knitter, but the unusual construction requires attention until the logic of the pattern becomes clear.
An adventurous intermediate knitter who enjoys learning new construction methods may find it particularly rewarding.
It is useful to be comfortable with:
One detail worth knowing before you begin is that the construction uses many turns.
This is intentional and is part of how the fabric changes direction to create the dune effect.
If you are accustomed to knitting straight across every row, the first sections may require more concentration.
The pattern includes charts as well as written information and a photo tutorial.
For a project with unusual directional construction, charts can be especially useful because they help you see relationships that may be harder to visualize from text alone.
Svetlana notes that after the knitting principle becomes familiar, the charts toward the end of the pattern become particularly useful.
One technical note from the designer is worth highlighting before you begin.
The selvedge stitches are already included in the pattern's stitch counts.
Do not automatically add additional edge stitches simply because that is something you normally do when knitting a scarf or stole.
Follow the designer's stitch counts exactly.
With an unconventional pattern, the first section is often where the learning happens.
Work slowly, compare the developing fabric with the pattern photographs, and make sure you understand where each turn occurs.
Once you recognize the underlying structure, subsequent sections can become much more intuitive.
If you are nervous about losing progress, a removable lifeline can be helpful at logical points in the project.
This gives you a known-good row to return to if you later discover a mistake.
It can be particularly useful while you are still learning how the directional sections are constructed.
A row counter or simple project notes can save time on a long stole.
Record where you stop, which chart or section you are working on, and any yarn or needle adjustments you make.
This is especially useful if Stole Dunes is a project you work on over several weeks rather than continuously.
Blocking can help the finished stole settle into its intended shape and reveal the flowing structure more clearly.
The correct blocking method depends on your chosen fiber, so always follow the care instructions for your yarn.
With a large rectangular wrap, take time to arrange the overall dimensions evenly rather than focusing on only one section.
The generous rectangular shape gives you several styling options.
Stole Dunes is especially interesting for knitters who enjoy gradient yarn but want something more unusual than ordinary stripes.
Because the knitting changes direction, the color progression becomes part of the architecture of the piece.
The finished result can look very different depending on where each color transition appears.
Stole Dunes is not currently a free knitting pattern.
The current designer listing offers the pattern for purchase through Svetlana Gordon's Ravelry Store.
At the time this guide was reviewed, the listed price was $6.50 USD. Prices and availability can change, so check the designer's current listing for the latest information.
The current authorized pattern listing includes the complete instructions, charts, schematic and photo tutorial from designer Svetlana Gordon.
View the Stole Dunes Pattern on Ravelry →
Stole Dunes is designed by Svetlana Gordon. Amazing Knitting does not reproduce the designer's complete copyrighted instructions, charts or photo tutorial. Pattern price and availability are controlled by the designer and may change over time.
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| Designed by © Cally Monster |
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| The photo above © Gaylaknits |
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| Photos above © Mike - The Crafty Gentleman |
These Adult Ribbed Slipper Boots by Katerina Mushin are cozy knitted house slippers featuring a textured ribbed cuff and a comfortable bootie-style shape.
One of the most appealing features of this design is that the slippers are worked on two knitting needles, making them an interesting alternative for knitters who prefer flat knitting to traditional sock construction on double-pointed needles.
The original pattern and accompanying video are still available free from Prjaga, the source originally featured by Amazing Knitting.
Design: Katerina Mushin. Featured photo/source: Prjaga.
These slippers combine the comfort of knitted house shoes with the extra coverage of a short boot.
The tall textured cuff wraps around the ankle, while the foot develops below it into a shaped slipper with a defined upper, toe and sole.
The contrast between the ribbed cuff and simpler knitted sections gives the finished slippers plenty of texture without requiring an elaborate colorwork design.
The original pattern provides three women's size ranges:
The original video demonstrates the 39–40 size.
Because knitted footwear depends heavily on gauge and yarn thickness, follow the stitch counts for your chosen size and compare the developing slipper with the intended foot whenever possible.
Katerina Mushin's original version uses Alize Superlana Midi, a yarn containing 25% wool and 75% acrylic with approximately 170 meters per 100g.
The pattern calls for approximately:
Using two colors highlights the different sections of the slipper and makes the cuff and foot details stand out.
The original instructions specify:
The crochet hook is used as part of the cast-on method demonstrated in the original pattern.
A major advantage of this project is that the slipper boots are knitted on two needles.
Many sock patterns require double-pointed needles, Magic Loop or another method for working small circumferences in the round. This design instead develops through flat knitted sections that are shaped and later joined.
That makes the construction particularly interesting for knitters who enjoy flat knitting but want to experiment with handmade footwear.
The tall cuff is one of the most recognizable features of the design.
Alternating knit and purl stitches create vertical texture, while another textured section gives the upper part of the slipper additional depth.
The substantial cuff also provides extra ankle coverage compared with a low-cut knitted slipper.
The project develops through several distinct sections rather than being knitted as a simple rectangle.
After the cuff is established, the knitting moves into the central section that forms the upper part of the foot.
The toe is then shaped with decreases. Stitches are picked up along the sides of the upper section so that the foot and sole can continue to develop.
Finally, the sole is shaped with additional decreases before the slipper is seamed.
Garter stitch is used in parts of the foot construction.
Because garter stitch creates a flexible fabric with horizontal ridges, it works well alongside the more pronounced vertical texture of the cuff.
The combination gives the slipper visual interest while keeping much of the construction based on familiar knit stitches.
The toe is shaped gradually with decreases on both sides of the central foot section.
This changes the flat knitted section into a more foot-like shape before additional stitches are picked up along its edges.
Follow the original instructions carefully because the stitch counts vary between the three sizes.
After stitches have been picked up around the foot, the pattern uses a series of decreases to shape the sole.
The final construction is completed with seaming along the foot, heel and cuff.
A neat but flexible seam is particularly important for slippers because a bulky seam can become uncomfortable underneath the foot.
Before beginning, it is helpful to be comfortable with:
Use the correct size instructions. The stitch counts change between sizes, particularly around the upper foot and sole.
Keep your tension consistent. The slipper needs enough stretch for comfort without becoming so loose that it moves around on the foot.
Count picked-up stitches carefully. Picking up the correct number along each side helps keep the foot symmetrical.
Make notes while knitting the first slipper. This makes it easier to reproduce the same tension and finishing choices on the second slipper.
Check the seam. A smooth seam is particularly important around the sole and heel where bulky finishing may be felt while walking.
Like many handmade knitted slippers, the finished fabric can slide on smooth floors.
If these slippers will be worn regularly on tile, polished wood or another smooth surface, consider adding an appropriate non-slip slipper sole or purpose-made non-slip treatment.
This project offers considerably more construction interest than a basic rectangular slipper while still allowing the majority of the work to be done on two needles.
The combination of ribbing, garter stitch, picked-up stitches and shaping provides useful practice with several techniques in one relatively compact project.
The tall cuff also makes the finished slippers particularly appealing for cold-weather lounging at home.
The complete pattern is currently available free from Prjaga and is credited to Katerina Mushin.
The original source includes the written instructions and a video tutorial. Use it for the complete stitch counts, shaping sequence and finishing instructions.
Get the Free Pattern + Video →
Looking for another cozy footwear project? Explore our collection of free socks, slippers and booties:
Explore 8 Free Sock & Slipper Knitting Patterns →
Amazing Knitting links readers to legitimate designer or publisher sources whenever possible. Pattern prices, download locations and availability can change after an article is published.
Read Our Pattern Availability Policy →
Amazing Knitting is an independent pattern discovery and project-guide site. The Adult Ribbed Slipper Boots design and original instructions belong to Katerina Mushin and their respective publisher. This guide provides project information and directs knitters to the original pattern rather than reproducing the complete instructions.
Knitted Scarf Sakura. Design and photo © Svetlana Gordon
Knitted Scarf Sakura by Svetlana Gordon is an extraordinary floral scarf knitting pattern inspired by the delicate beauty of blossoms and leaves.
Worked with fine lace-weight yarn, the design creates an elaborate three-dimensional-looking fabric filled with sculptural leaves, flowers and flowing organic shapes.
Despite its dramatic appearance, the designer rates the project medium difficulty and explains that the pattern contains many photos and illustrations to guide knitters through the construction step by step.
Availability update: this older Amazing Knitting page previously appeared among free-pattern recommendations. The Sakura pattern is currently sold as a paid digital pattern, so this guide has been updated to reflect its present availability.
Sakura is not a conventional rectangular scarf covered with a simple repeating stitch.
Its appeal comes from the elaborate botanical forms that develop across the fabric, creating the impression of branches filled with leaves and blossoms.
The finished piece is therefore as much a statement accessory as it is a practical scarf.
The name Sakura refers to cherry blossoms, and the botanical inspiration is immediately visible in the finished design.
Instead of reproducing flowers with colorwork, the scarf creates its floral character primarily through the structure of the knitting itself.
Leaves, dimensional details and open areas work together to produce an organic surface that looks dramatically different from ordinary lace scarves.
The original Sakura scarf uses Zitron Filigran, a fine 100% merino lace yarn.
The designer documents approximately 270 g of yarn for the project, divided between the flower and leaf colors.
Because this is a large scarf worked at a fine gauge, the total yardage is substantial: approximately 1620–1700 meters (1772–1859 yards).
The documented sample uses two colors of Zitron Filigran:
Using separate colors for the flowers and foliage helps emphasize the botanical structure of the finished scarf.
When substituting yarn, compare meterage as well as weight because different lace yarns can contain very different lengths per 100 grams.
Stitch definition is particularly important for a design with this much structural detail.
A smooth lace-weight yarn can help the leaves, flowers and other sculptural elements remain visible instead of disappearing into a fuzzy surface.
Solid or gently tonal colors are also worth considering when you want the intricate knitted forms to remain the main visual feature.
Sakura is worked using fine 2 mm needles. The designer also lists a 2 mm circular needle among the required tools.
The documented gauge is:
35 stitches × 40 rows = 10 × 10 cm
A swatch is useful not only for checking gauge but also for seeing how your chosen lace yarn behaves after washing and blocking.
The finished Sakura is approximately:
38 cm wide × 250 cm long
(about 15 × 98.4 inches)
At approximately 2.5 meters long, this is a substantial statement scarf rather than a small neck accessory.
The generous length provides plenty of room to display the floral details while allowing the scarf to be wrapped and styled in different ways.
The materials list includes 16 stitch markers.
On an intricate project, markers can help divide the work into recognizable sections and make it easier to keep track of complex shaping and repeated elements.
They also provide useful checkpoints when comparing your progress with the pattern's photographs and diagrams.
Sakura looks exceptionally complicated, but the designer classifies the project as medium difficulty.
She specifically explains that the project does not require extremely advanced knitting skills when the instructions are followed carefully and in sequence.
The challenge is therefore likely to come more from concentration, organization and following the construction accurately than from mastering a large collection of highly specialized techniques.
One particularly useful feature of the Sakura pattern is its visual support.
The designer states that the pattern contains many photos and pictures intended to guide the knitter through the process step by step.
This can be especially valuable for an unusual construction where the finished structure may not be obvious from written abbreviations alone.
Techniques documented in the pattern include:
The documented abbreviations include w&t (wrap and turn), indicating the use of short-row techniques within the construction.
Short rows allow selected portions of the knitting to receive additional rows without working all the way across the entire piece.
In a sculptural design such as Sakura, this can help create shaping that would be difficult to achieve with simple straight rows alone.
The pattern also includes bobbles, adding another dimensional element to the floral surface.
Combined with increases, decreases, short rows and lace techniques, these raised details contribute to the unusually rich texture visible in the finished scarf.
A scarf this intricate is easier to approach as a sequence of smaller tasks rather than thinking about the entire 250 cm project at once.
Follow the pattern's photographs and illustrations carefully, keep the stitch markers in their designated positions, and verify each completed section before moving forward.
This can make mistakes much easier to identify while they are still local and relatively simple to correct.
A row counter can be particularly helpful when working an elaborate scarf with multiple shaped motifs.
Record your position whenever you stop knitting so that you can return to the correct step without having to reconstruct your progress from memory.
Lifelines can provide additional security when working with fine yarn and complicated shaping.
Placing a contrasting strand through a known correct row gives you a safe point to return to if you discover an error later.
This becomes increasingly valuable as the scarf grows and more hours of knitting are invested in the project.
Careful finishing can help the individual knitted forms settle into their intended shapes.
Use a blocking method suitable for the fiber in your chosen yarn and follow any finishing guidance provided in the pattern.
With sculptural knitting, the goal is not necessarily to stretch every section completely flat. Preserving the dimensional quality of the motifs is part of the finished effect.
Sakura is especially appealing if you enjoy knitting projects where the construction itself becomes part of the artistic expression.
Instead of repeating one simple stitch pattern for the entire length, the scarf builds an elaborate botanical composition from knitted techniques.
The result is a distinctive accessory that showcases both fine yarn and careful workmanship.
Knitted Scarf Sakura stands apart from ordinary lace scarves because of its sculptural floral design and impressive finished length.
It is a rewarding choice for knitters who enjoy detailed projects and are willing to work carefully through a longer pattern.
The extensive photographic guidance is particularly useful for understanding the unusual construction as the scarf develops.
Knitted Scarf Sakura by Svetlana Gordon is currently available as a paid digital knitting pattern.
View the Knitted Scarf Sakura Pattern →
Pattern availability and pricing can change over time. Amazing Knitting does not reproduce or distribute the designer's copyrighted pattern instructions.
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| The photo above © eisbergen1 |
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| The photo above © dancing-girl |
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| Photos above © Nicole and Bianca |